GUYS AND DOLLS: THE GOLDEN AGE’S NEW GOLDEN AGER By Peter Filichia
GUYS AND DOLLS: THE GOLDEN AGE’S NEW GOLDEN AGER By Peter Filichia Turning sixty-five this week is one of the Broadway’s greatest musicals. Indeed, some say it’s the all-time greatest. Of course we’re talking about Guys and Dolls, which made its bow at the 46th Street Theatre on Nov. 24, 1950, not the 1992 revival […]
STEVE – AS IN SONDHEIM? by Peter Filichia
By Peter Filichia If the play version of The Graduate could get an album, why shouldn’t Steve? The Graduate used snippets of ‘60s music during scene changes, so Columbia Legacy execs decided to issue an album of each song in its entirety. The fifteen tracks ranged from an easy listening waltz (“Moon River”) to a […]
Beggar’s Can Be for You Choosers By Peter Filichia
Beggar’s Can Be for You Choosers By Peter Filichia Long before Forbidden Broadway’s Gerard Alessandrini put his own lyrics to existing melodies, John Gay (1685-1732) did the same with The Beggar’s Opera. Unlike Alessandrini, Gay didn’t center on songs from musicals – for the good reason that none existed at the time. What Gay did […]
Forty Years, Forty Facts for A Chorus Line
By Peter Filichia Actually, the title of Tom Rowan’s A Chorus Line FAQ does prove once again that you can’t judge a book by its title. “FAQ,” of course, stands for “Frequent Asked Questions.” But Rowan doesn’t structure his book as questions and answers; he simply gives a straightforward account of how one of the […]
WHEN A CHORUS LINE WAS STARTING OUT By Peter Filichia
WHEN A CHORUS LINE WAS STARTING OUT By Peter Filichia “Remember the first time you saw A Chorus Line?” So went a television commercial that aired around 1983, a little more than halfway through the show’s then-record 6,137-performance Broadway run. Now I’ll ask you “Remember the first time you heard A Chorus Line?” For some of […]
