UNCOVERING ADRIAN MOLE’S SECRETS By Peter Filichia
It’s often been said that the first sign of truly growing up occurs when people ask your age and you stop adding “and a half” to the figure. Adrian Mole hadn’t yet reached that point, as you can tell from the title of the British musical THE SECRET DIARY OF ADRIAN MOLE, AGED 13 ¾. […]
Martin Charnin’s Legacy By Peter Filichia
Broadway will never forget Martin Charnin, for he had the idea of making a musical about Little Orphan Annie. When recruiting a librettist, he believed a humor writer who’d never had experience with musicals could do it. Thomas Meehan not only won a Tony for the book of ANNIE, but also eventually captured the same […]
PROMENADE: NOW THAT’S OFF-BROADWAY By Peter Filichia
Here’s a musical that Moliere and Eugene Ionesco might have loved. It’s also one that Kurt Weill could have written had he lived nineteen years longer and had moved off-Broadway. Its song “The Clothes Make the Man” is a title worthy of Weill’s longtime collaborator Bertolt Brecht. Such is the world of PROMENADE, which is […]
SARDI’S: OUR INFORMAL BROADWAY MUSEUM By Peter Filichia
We heard last month that some time in 2020 there’ll be a Museum of Broadway in Times Square. Good! Wonderful! Terrific! But in the meantime, let’s not overlook the Broadway Museum that’s been around for almost a hundred years. Sardi’s. Well, the number of caricatures on its walls probably does outnumber the artifacts in many […]
THE SOUND OF GOD-KNOWS-WHAT By Peter Filichia
So what does this sentence remind you of? “She spread out her arms and spun in circle after circle, her face toward the sun, her short hair ruffling in the light breeze, a radiant smile plastered on her face.” Julie Andrews in THE SOUND OF MUSIC, right? Yes – but these specific words come from […]